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Jan Šléška

European composer · Film & Commercials

my music can light up
what’s hidden within your film

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SELECTED WORK

Best heard on headphones or good speakers FILM
Restore Point
Restore Point Sci-fi detective feature · 2023 · dir. Robert Hloz · Netflix Czech Lion nominee — best music
Aneta
Aneta True-crime feature · 2024 · dir. Jiří Sádek · Netflix Original score
ALL FILMS
COMMERCIAL
Post Bellum — WW2
Post Bellum — WW2 Commercial · 2025 · dir. Marek Partyš ADC Gold 2026 — use of music
Royal Mail — Christmas
Royal Mail — Christmas Commercial · 2024 · dir. Markus Krug Bespoke music
ALL COMMERCIALS

LISTEN

without leaving the page
ALL MUSIC

THE MUSICAL SHAPE OF A FILM

Before I write a note, the director gets one page. Where the music plays, where it deliberately does not, which themes return, and what the whole film does with tension. A drawing lets us imagine the dramaturgy together while everything is still open — and it is the part of the work that cannot be generated, because someone has to decide what the film is about.
A dramaturgical map — general principle, not a specific film.

RECOGNITION

Czech Lion Nominee · 2023 Restore Point · Best Music
D&AD Winner · Wooden Pencil · 2022 Post Bellum · Sound Design
ADC Czech Creative Awards Winner · Gold · 2026 Post Bellum — WW2 · Music
ADC Czech Creative Awards Winner · Bronze · 2025 Preventive Life Check-up · Music & Sound Design
ADC Czech Creative Awards Shortlist · 2025 Year of Czech Music 2024 · Music & Sound Design
Cannes Lions Shortlist · 2022 Post Bellum · Sound Design
Music+Sound Awards Finalist · 2021 Red Bull F1 · Sound Design
Berlin International Film Scoring Competition Finalist · 2019 Wrapped · Music
Golden Drum Shortlist · 2022 Post Bellum — Gestapo · Audio

WORKED WITH

Royal Mail · Pilsner Urquell · Coca-Cola · Škoda · Post Bellum · Kaufland · Česká spořitelna · Telekom · Zlatý Bažant · Kesko Fin · KKCG · Creditas · Prague Tourism · Slovak Radio · Baagl

ABOUT

Jan Šléška is a still evolving film composer and a creative partner to directors and producers. He shapes the dramaturgy of the score from the script stage — music that never pushes the audience, but brings to light what the picture already holds.

FAMU graduate. Scores for the sci-fi feature Restore Point, the true-crime feature Aneta and the animated short Everything We Missed, plus bespoke music for commercials.
Sometimes the strongest note is the one left unplayed. full bio

tell me about
your film

A first conversation about the film — not a pitch. music@jansleska.com