Jan Šléška
European composer · Film & Commercialsmy music can light up
what’s hidden within your film
go deeper
SELECTED WORK
Best heard on headphones or good speakersTHE MUSICAL SHAPE OF A FILM
Before I write a note, the director gets one page. Where the music plays, where it deliberately does not, which themes return, and what the whole film does with tension. A drawing lets us imagine the dramaturgy together while everything is still open — and it is the part of the work that cannot be generated, because someone has to decide what the film is about.And in commercialsMusic that arrives early lights the film from within.
Bespoke music for commercials
- 01Client needs
- 02Agency idea
- 03Director’s treatment
- 04Shooting
- 05Postproduction
RECOGNITION
WORKED WITH
Brands & agencies Royal Mail · Pilsner Urquell · Coca-Cola · Škoda · Post Bellum · Kaufland · Česká spořitelna · Telekom · Zlatý Bažant · Kesko Fin · KKCG · Creditas · Prague Tourism · Slovak Radio · Baagl Films — directors & productions Robert Hloz · Jiří Sádek · Marta Prokopová · Luboš Rezler · Film Kolektiv · Perfilm CZ · Moloko Film · Donart · Maur Film · Artichoke ProductionABOUT
Jan Šléška is a film composer and music dramaturg — a creative partner to directors and producers. He shapes the dramaturgy of the score from the script stage — music that never pushes the audience, but brings to light what the picture already holds.FAMU graduate. Scores for the sci-fi feature Restore Point, the true-crime feature Aneta and the animated short Everything We Missed, plus bespoke music for commercials.
He listens for ideas in the stillness of the forest. Sometimes the strongest note is the one left unplayed. full bio